Troy Johnstone

In a world where artists are increasingly packaged with a shiny, algorithm-friendly gloss, Trevor Drury comes as a refreshing contradiction—a former international model whose music is more likely to wander into alt-pop explorations of the human psyche than onto mainstream radio. His latest EP, Alice, It’s All in Your Head, isn’t designed to be easily
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Kathy is an emerging artist who’s been making a name for herself with her unique sound and heartfelt lyrics. With new music just released, we sat down to talk about her journey, inspirations, and the excitement of her upcoming releases. How did your journey into music begin? Was there a defining moment when you knew this
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Born in Michigan and now living in Los Angeles, Vincent Covello’s musical path disregards current fashion. He follows his muse wherever it leads. His muse leads him to a particularly notable peak with the new ten-track collection Torchlights. Adopting the tried-and-true form of “torch songs” as a songwriting design for the collection doesn’t mean it wallows
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Lorraine Jordan and Carolina Road are one of those unique musical pairings where it truly sounds meant to be. The quintet configuration of Carolina Road complements Jordan’s vocal and mandolin contributions as naturally as breathing. Jordan’s ability to seamlessly incorporate her stylistic strengths into Carolina Road testifies to the thoroughly realized relationship shared by these
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Ashleigh Graham’s musical story is a genuine rarity. She first earned attention in the bluegrass world as a young woman gracing the stages of assorted festivals throughout the American Southwest. She recorded her first bluegrass album, It’s Easy to Forget, by her fifteenth birthday. Following that period, Graham chose to leave the music world behind and
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Tidalwave Road’s twelve-year journey to their debut release The Bonfire Sessions is well worth every mile. The Kentucky-based quartet practices bluegrass in a near-purist sense. The EP’s five songs are rife with time-tested instrumental passages, and familiar elements such as strong vocal harmonies, and find an exquisite balance between a bygone era and modern life. Banjo player
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Utilizing a pointed groove to emphasize the simplicity of their melodies in “There’s a River.” Drawing together otherwise perplexing thumps out of the ethers to form a casual rhythm in “Only in the Cross.” Dabbling in the best sort of overindulgence you can hope to find in a guitar-driven album in “Sing a Hallelujah.” Slapping us
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Bobby Cyrus’ original “Jeremiah” hails from his pending second album release. Based on the excellence of this new single, I feel it is safe to say that we’re set for a transformative collection. His singing partnership with his wife Teddi Cyrus is one of the key selling points. URL: https://teddiandbobbycyrus.com/home Their harmony vocals never dominate
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Alex Wellkers’ Fly Away features eleven invigorating songs that cut across multiple styles. The Swiss singer, songwriter, and multi-instrumentalist has built to this moment with EP-length prior releases that hinted at his ambition. However, Fly Away represents the full flowering of Wellkers’ talents rather than a condensed expression of his skills. He sustains the listener’s interest throughout the nearly dozen songs with dramatic arrangements
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Áine Burns is well aware of the power musical tradition holds. Her upbringing in an intensely musical Irish family taught the Bundoran native early about the deep rewards that her homeland’s folk song traditions offer singers and musicians alike. Her take on the classic Irish folk song “I’m a Man You Don’t Meet Every Day”
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Daniel Grindstaff’s new single with guest vocalist Jeff Tolbert entitled “Child of the King” is one of the finest collaborations featured on his forthcoming Heroes & Friends release. Grindstaff has built much of his career on collaborative efforts, and Heroes & Friends promises to be his most fulfilling foray yet in that vein. It doesn’t confine itself to arch-purist
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Today, we have the honor of speaking with Brea! With a track record of delivering soul-stirring melodies and thought-provoking lyrics, Brea continues to captivate audiences with her unparalleled talent and unwavering passion for the craft. Her newest release has left listeners captivated, showcasing a seamless blend of musical innovation and heartfelt emotion. Join us as
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Rap has developed a lot since its earliest releases, but in the past fifteen years, it’s come into a new creative era that perhaps no one, not even veteran followers of the genre, could have seen coming. At the forefront of this new chapter in the history books, we find a generation of indie players
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The warm pastoral feel of Liam Purcell and Cane Mill Road’s new single “Homesick for Virginia” does an excellent job of capturing the high lonesome country blues sound of traditional bluegrass. It pulls that off without ever clumsily aping any specific performers, though I hear a lot of influence from The Stanley Brothers’ earliest songs
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Georgia’s Edgar Loudermilk has the abiding spirit of bluegrass music flowing through his veins. The new single from The Edgar Loudermilk Band entitled “The Banks of the River” recalls the genre’s radiant past while planting a flag firmly in the present. Loudermilk and his band’s ability to balance a modern perspective with continuing faith in
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Alex Haughey’s new film is Under the Influencer, now available on streaming (Apple TV, Amazon). At first glance, the zany satirical comedy feels like something akin to a Harmony Korine picture, complete with dazzling color, meticulous framing (shout out to cinematographer Matthew Lynn, QC’s It Lives Inside), and strange and offbeat characterization. Quickly though, we’re
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Alex Haughey’s new film is Under the Influencer, now available on streaming (Apple TV, Amazon). At first glance, the zany satirical comedy feels like something akin to a Harmony Korine picture, complete with dazzling color, meticulous framing (shout out to cinematographer Matthew Lynn, QC’s It Lives Inside), and strange and offbeat characterization. Quickly though, we’re
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Longtime adult music fans will likely distrust any artist/songwriter who self-consciously describes their craft as a calling. It isn’t about the foundation of said calling. It’s about the inevitable wont of such performers to turn dogmatic and forsake their essential duty of providing an entertaining, enjoyable listening experience for their audience. Coppe Cantrell, however, gives
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Indie bluegrass staples Williamson Branch were not content to simply utilize one style of approach in the recording of their new single “Kentucky Highway.” In this song, they combine elements from their wide range of influences to reshape a style of bluegrass that is somewhat outside of the norm in today’s popular Americana. Starting with
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San Francisco has a historical reputation as a countercultural haven for music such as The Grateful Dead, and Jefferson Airplane, but artists such as Gene O illustrate the community’s diversity. The longtime vocalist, guitarist, and lead songwriter for 80s pop maestros The Make is cut from a decidedly broader cloth than those aforementioned peers. His
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I understand that Marc Miner is tilling well-worn territory with his modern invocation of outlaw/alternative country spiked with strands of other Americana styles. He does it well, however. Pouring old wine into new bottles isn’t an easy skill to master, however, and Miner’s eleven-track second album Last Heroes finds new flavors in a reliable vintage. The Vienna,
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Surreal and softly tucked into the eye of a mild hurricane of synth melodies, Danny Burns’ lead vocal in “Living in the Promisedland,” one of the ten songs found on the new record Promised Land, is entrancing from the start. Though not always the most expressive element in Promised Land, this voice is consistently the most endearing
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