When people think of popular shows and miniseries adapted from books on Hulu, most go straight to The Handmaid’s Tale. Not only is the source text (and its graphic novel adaptation) by transphobic author Maragaet Atwood read by students worldwide, but it gets more press every time it gets banned, the adaptation sweeps awards, and lawmakers decide to police women’s bodies even more. Luckily for us, this white feminist text isn’t the only thing the streaming giant has successfully adapted. Since then, many novels, essay collections, and graphic novels have gotten the silver screen treatment. Whether produced solely by Hulu, or through partnerships like “FX on Hulu,” there are many great pairings to read and watch.
Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this.
As Toby tries to figure out where Rachel went, all while juggling his patients at the hospital, his never-ending parental duties, and his new app-assisted sexual popularity, his tidy narrative of the spurned husband with the too-ambitious wife is his sole consolation. But if Toby ever wants to truly understand what happened to Rachel and what happened to his marriage, he is going to have to consider that he might not have seen things all that clearly in the first place.
After Taffy Brodesser-Akner’s novel about Xennial marriage (and divorce, dating apps, and mental health) became a New York Times best-seller, Brodesser-Akner was invited to adapt Fleishman is in Trouble into a limited series for FX on Hulu. It stars Jesse Eisenberg as Toby, Claire Danes as Rachel, and Lizzy Caplan as Toby’s BFF, Libby. According to Brodesser-Akner herself, the series is a very faithful adaptation of the book, so if you watch the series, it’s as if you’re reading the book. Either is worth experiencing, as this story makes you think that it’s one kind of story, but deepens along the way and makes you realize that it’s something else entirely, inviting you into a perspective that rarely gets attention in prose fiction or TV.
Kindred by Octavia Butler
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.
Octavia Butler’s prescient work is definitely having a moment, and the series adaptation of her 1979 novel Kindred for FX on Hulu was part of that. Starring Mallori Johnson as Dana, the series was made contemporary by having Dana’s present-day be ours. The harrowing exploration of her family history as she’s transported back to antebellum slavery, however, remains in tact. Sadly, the series was cancelled after one season, but you can still watch season one in all its heartbreaking glory on Hulu.
It begins with Jake Epping, a thirty-five-year-old English teacher in Lisbon Falls, Maine, who makes extra money teaching GED classes. He asks his students to write about an event that changed their lives, and one essay blows him away–a gruesome, harrowing story about the night more than fifty years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a sledgehammer. Reading the essay is a watershed moment for Jake, his life–like Harry’s, like America’s in 1963–turning on a dime. Not much later his friend Al, who owns the local diner, divulges a secret: his storeroom is a portal to the past, a particular day in 1958. And Al enlists Jake to take over the mission that has become his obsession–to prevent the Kennedy assassination.
Stephen King’s 2011 time travel novel was adapted into a compelling 8-episode limited series starring James Franco as Jake and created/executive produced by Bridget Carpenter (Friday Night Lights, Westworld) for Bad Robot in 2016.
When Charley unexpectedly inherits eight hundred acres of sugarcane land, she and her eleven-year-old daughter say goodbye to smoggy Los Angeles and head to Louisiana. She soon learns, however, that cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley struggles to balance the overwhelming challenges of a farm in decline with the demands of family and the startling desires of her own heart.
Baszile’s family saga was adapted into a successful TV series by writer/director Ava DuVernay for OWN. It’s a compelling, nuanced show that wrestles with one family’s generational trauma while examining the wider Black experience. The addition of a third Bordelon sibling for the series (Rutina Wesley’s character Nova is not in the novel) allows for an even more multifaceted look at what it means to be Black in America. All seven seasons of Queen Sugar are available on Hulu.
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George–publisher of The Safe Negro Travel Guide–and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite–heir to the estate that owned one of Atticus’s ancestors–they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
One of the great things about Hulu is that it allows add-ons for other streaming services, so Hulu can serve as a one-stop shop for your viewing needs. If you have the Max add-on, you can watch HBO shows, and Lovecraft Country, which was adapted by Misha Green and produced by Jordan Peele with Bad Robot Productions, is a worthwhile watch. Yes, it stars Jonathan Majors, who’s become hella problematic, and the show only lasted one season. But it was a great season, and Jurnee Smollett alone is worth your time.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned–from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.
Enter Mia Warren–an enigmatic artist and single mother–who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.
When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town–and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia’s past. But her obsession will come at unexpected and devastating costs.
After Reese Witherspoon featured the book on her popular book club, she and Kerry Washington helped executive produce and costarred in the miniseries based on the novel.
Shrill is an uproarious memoir, a feminist rallying cry in a world that thinks gender politics are tedious and that women, especially feminists, can’t be funny. Coming of age in a culture that demands women be as small, quiet, and compliant as possible–like a porcelain dove that will also have sex with you–writer and humorist Lindy West quickly discovered that she was anything but. […]
With inimitable good humor, vulnerability, and boundless charm, Lindy boldly shares how to survive in a world where not all stories are created equal and not all bodies are treated with equal respect, and how to weather hatred, loneliness, harassment, and loss, and walk away laughing. Shrill provocatively dissects what it means to become self-aware the hard way, to go from wanting to be silent and invisible to earning a living defending the silenced in all caps.
While West’s book is a collection of essays with real stories (some bits of which you can read news stories about and watch videos of), the Hulu show starring SNL’s Aidy Bryant is more inspired by the book. Bryant, West, and Alexandra Ryshfield developed the show based on the book and personal experiences. Like in many cases, just because you like the show doesn’t mean you’ll like the book. This is mostly because the book can be a lot more triggering, as it tackles the toxicity of online/in-person cultural misogyny. However, if you enjoyed the book, you will probably love the show because it still retains its social humor and vulnerability.
Love, Victor is a spinoff show based on the movie Love, Simon, which itself is based on Simon vs. the Homo Sapiens Agenda by Becky Albertalli. Other books in the Simonverse (mostly taking place at Creekwood High) include Leah on the Offbeat, The Upside of Unrequited, and the novella Love, Creekwood, (co-written with Adam Silvera).
Original novel summary:
Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out–without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met.
Nine people gather at a remote health resort. Some are here to lose weight, some are here to get a reboot on life, some are here for reasons they can’t even admit to themselves. Amidst all of the luxury and pampering, the mindfulness and meditation, they know these ten days might involve some real work. But none of them could imagine just how challenging the next ten days are going to be.
Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation–awkward but electrifying–something life changing begins.
A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.
(featured image: Hulu)
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